Emergency
This project created some unique challenges, including flying from many complex locations across London and coordinating with manned aircraft.
In total we flew for multiple days across several sites using our in house Canon C70 and L-series lenses.
The Savoy
It was a real privilege to fly at such an iconic venue, which included flying from the roof as well as the famous Savoy Court to get the shots.
We shot series one on the Canon 5Dmk4, with series two using our Canon C70 and L-series lenses.
Radiohead
This video was a really fun concept, with the final product deliberately intending to look low resolution and with a 'staticky' feel to it.
The entire video was shot using a micro drone and CMOS camera we would normally only use for the pilot's FPV feed.
Dancing On Ice
This was quite a memorable job for us, not just because of the experience, but because it sparked the legacy of us naming our drones.
Shot on multiple locations, in the middle of the night, and in sub-zero temperatures using a Sony A7S2.
24 Hours in A&E
From flying from the helipad to chasing ambulances, we were able to use our skills to help create shots used across multiple series.
We were able to use our advanced permit to safely and lawfully obtain shots where others could not.
24 Hours in Police Custody
We filmed over various days (and nights) for this series to create a series of imagery that could be used across multiple stories in the series.
On one occasion we were able to showcase our experience by getting approval to fly in restricted airspace in under 24 hours.
Chitty Flies Again
We love working on the different and the unusual, and filming a life size flying Chitty Chitty Bang Bang is definitely up there.
Chris was also in front of the camera on this one, helping to test fly and set up the prototype design.
For the Love of Kitchens
From low tracking shots to high and wide panoramas, this project gave us a chance to really flex our range of services and abilities.
We also used a range of drones from micro to heavy lift to maximise the shots available.
Virgin Media 02
We were brought in to take shots using our specialist first person view (FPV) drones when the script called for speed and agility.
We provided our shots from a custom mini-cinewhoop FPV drone fitted with a modified GoPro camera.
Alton Towers Nemesis
We were lucky enough to get to fly around this iconic coaster to help create content for its 25th anniversary, including performing a one-shot.
We filmed the entire shoot using a GoPro, which was then fed through ReelSteady to smooth out the footage.
Fast and Furious Live
Flexing our creative design skills we created over 300 radio controlled missiles and two life size torpedoes to be used in the live shows.
We also helped to recruit a pilot that went on the world tour to operate the custom models.
BT Beyond Limits
Initially we were called in to create a custom drone to help launch the live event, but we then helped adjudicate an official Guinness World Record.
The event included an indoor drone swarm light show as a backdrop to a live stage concert.
